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Image-based researchers have previously noted the failure of institutional ethics guidelines and frameworks to adequately address the issues and methodologies used in visual research, citing a need for more creative and flexible approaches. Screen scholars work with traditional (non-visual) data sources, human subjects, visual data, and colleagues. This produces a range of ethical issues which are not addressed by institutional frameworks, based as they are on individualism and utilitarian ideals. Drawing on the ideas of Johann Neem and Savannah Dodd, this chapter suggests the need to shift our research practices towards a more collective, reflective, and empathetic mode of working.

This chapter serves as an introduction to the key themes found within the volume Ethics and Integrity in Visual Research Methods, and provides a rationale for the volume’s focus on photography and film media. Drawing from other literature, the author discusses the significance of indexicality and visual language when working with photography and film in research contexts, and describes how these considerations set photography and film apart from other forms of visual data. The chapter concludes by outlining the format of the volume, which divides the nine chapters into three key areas of exploration: Voice and Agency, Power and Inequality, and Context and Representation.